How else do you explain Dreamgirls and his lack of upcoming family projects? I’m not sure, but we’re going to find out pretty soon when he signs or doesn’t sign on for Beverly Hills Cop 4 (right now, trending “no”). A Thousand Words is, at the very least, a unique feature, and I feel like that’s what Murphy wants more than anything right now. Each little piece kind of works by itself, even when strung together they fail to cohere. What results is uneven, preposterous, and surprisingly watchable. Plus, someone thought it wise to keep a few of Murphy’s sex jokes and other innuendos, hence the PG-13 rating. Yet its middle and end are far too dark for kids. The film is too silly and features too many stretches of common sense for adults. Both writer and director have to take the blame for failing to focus their story on a particular appreciative demographic. Who knows what Steve Koren’s original script looked like, but I have to hope it wasn’t the bloated, bumpy concoction depicted by director Brian Robbins here. The same cannot be said for the rest of the movie, though. He’s not as his best – he can’t be without his distinct voice – but he’s far from his worst. He gestures wildly and emotes furiously by contorting his face in all kinds of muscle-challenging maneuvers. Murphy still manages to entertain, even without his #1 attribute. Whoever thought it was a good idea to shut Eddie up for 75 minutes of a 90-minute movie ought to lose money. So no one knows what it is other than “that Eddie Murphy movie where he doesn’t talk”. Normally I wouldn’t bother with all this plot description, but A Thousand Words was trapped in distribution hell for years before being dumped on uninterested audiences last year. But he needs to do more – after all, this isn’t Groundhog Day. In a panic, Jack tries to change his ways. Why? Well, basically it’s a guess cooked up between Jack and the unknowing guru, Dr. If all the leaves fall of the tree, he dies. It takes him a few minutes, but Jack soon realizes every time he speaks a leaf falls off the tree. Thunder! Lightning! A mysterious tree grows outside his house! Of course, his motormouth lands him in a bit of trouble after he lies to the wrong spirit guru. He runs his mouth more than anyone you’ve seen since, well, whatever character Murphy played in his last movie. In A Thousand Words, Murphy plays Jack McCall, a mega-busy book agent, husband, and new father. I’m saying A Thousand Words doesn’t work because it doesn’t have a target audience. Abrams direct Murphy’s next feature (though that could be cool…). But family-Murphy is still better than lost-Murphy. Doolittle, Daddy Day Care, or the Shrek franchise, but it actually may have helped if it had been.ĭon’t get me wrong – I don’t want any more PG-Murphy. His latest venture isn’t as family-oriented as Dr. Sadly, it’s not as vulgarly comparable to the standup who gave us Raw and Delirious, two classic routines whose impact would have been severely lessened if it met the PG-13 standards of Murphy’s late career. I would do a Donkey movie, I would do another Shrek, in two seconds.Eddie Murphy has had a career befittingly wacky of an oddball comedian. Donkey is funnier than Puss in Boots.' I love Puss in Boots, but he ain't as funny as Donkey. They did Puss in Boots movies, I was like, 'They should have a Donkey movie. "I'd absolutely be open if they ever came with another Shrek, I'd do it in two seconds. Speaking with Etalk, Murphy shared that he would do another Shrek and that he'd jump at the opportunity in "two seconds". While the movie has been received incredibly well by critics and fans in markets where it has already debuted, Eddie Murphy was recently asked about the film and whether he'd ever return to the role of Donkey. On Friday, Puss in Boots: The Last Wish opens in theatres, bringing back the iconic feline hero for his second spin-off film following first being introduced in Shrek 2.
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